Author: Cantor, Muriel G.

Publication Year: 1978

Media Type: Report

Summary:

This paper examines the controls and constraints on the creators of popular drama that limit or enhance their freedom and autonomy. . . Social controls operate to modify or regulate the degree of autonomy experienced by the writers, actors and directors who create television and film drama. Most analyses of how creators work in American media industries present a free enterprise system. The media, film and television, are seen as existing at the pleasure of the government but outside of its direct control. However, the way the laws are written and interpreted is instrumental in providing the social milieu and support system for both the artists and creators and those the artists are dependent upon to disseminate the drama. The argument is made that the content of drama, both form and actual message, depends on social and political controls which exist outside the creative process. . ., this paper is an attempt to show the creative processes are tied to the market, to political conditions and to the structure and culture of the organizations for whom the creators work.

Abstract:

This paper examines the controls and constraints on the creators of popular drama that limit or enhance their freedom and autonomy. . . Social controls operate to modify or regulate the degree of autonomy experienced by the writers, actors and directors who create television and film drama. Most analyses of how creators work in American media industries present a free enterprise system. The media, film and television, are seen as existing at the pleasure of the government but outside of its direct control. However, the way the laws are written and interpreted is instrumental in providing the social milieu and support system for both the artists and creators and those the artists are dependent upon to disseminate the drama. The argument is made that the content of drama, both form and actual message, depends on social and political controls which exist outside the creative process. . ., this paper is an attempt to show the creative processes are tied to the market, to political conditions and to the structure and culture of the organizations for whom the creators work. (From the opening abstract)

Arts & Intersections:

Categories: Community Development