![A black and white photo shows an older building with arches and columns with words projected on the front of it.](/sites/default/files/styles/project_database_thumbnail/public/projects/For%20the%20City%20-%20Olivia%20Cintron.gif?itok=RdJyK2tc)
Jenny Holzer's For the City was a series of moving projections, installed at the Rockefeller Center and The New York Public Library, where poems by Wis_awa Szymborska, Yehuda Amichai, Henri Cole, Mahmoud Darwish, and other writers moved across the
Read More![Inside a building a colorful projection is shown on the ceiling. The projection looks like the sky at different parts of the day, noon, sunset, and sunrise.](/system/files/styles/project_database_thumbnail/private/2021-08/Sky%20is%20the%20Limit%20-%20Olivia%20Cintron.jpg?itok=GiOgOWuc)
Haluk Akake's Sky is the Limit, was screened in 2006 on the Viva Vision canopy screen in Las Vegas, NV. He created the piece, to simulate an electronic sky, as a reflection of Las Vegas's unique colors, rhythm and pace which also referenced the euphoria
Read More![Two glass buildings are lit up in the night with images of people sleeping.](/system/files/styles/project_database_thumbnail/private/2021-08/sleepwalkers%20-%20Olivia%20Cintron.jpg?itok=WJuDDFgT)
Doug Aitken: sleepwalkers, was a multiscreen cinematic art experience, comprised of eight large-scale moving images projected onto the exterior of MoMA. The multiple screens collectively animated the building's architecture with the nocturnal journeys of
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Matthew Buckingham's film, Muhheakantuck - Everything has a Name was screened aboard a New York Water Taxi as it navigated the Hudson River. It featured a single continuous shot from a helicopter as well as a narration by the artist, in which he meditated
Read More![Outside an older looking white house, a person in a suit sits on the stairs to the front door. Another person leans out a second floor window looking for something.](/system/files/styles/project_database_thumbnail/private/2021-08/Waiting%20for%20Godot%20-%20Olivia%20Cintron.jpg?itok=m4O3SYRs)
An outdoor performance of Samuel Beckett's play, Waiting for Godot, was Paul Chan's response to the symmetry between the reality of New Orleans post-Katrina which expresses the cruel and funny things people do while they wait for help, for food, for
Read More![In an empty warehouse sits a brown piano. Strings go from the piano to the ceiling.](/sites/default/files/styles/project_database_thumbnail/public/projects/Playing%20the%20Building%20-%20Olivia%20Cintron.jpg?itok=Om4AHwdL)
David Byrne's Playing the Building was an interactive sound sculpture installation. It consisted of a retrofitted antique organ, when played, the keys controlled a series of devices attached to architectural features that vibrated, struck, and blew across
Read More![A red background features black flames and arrows wrapping around each other.](/sites/default/files/styles/project_database_thumbnail/public/projects/Hey%20Hey%20Glossolalia%20-%20Olivia%20Cintron.jpg?itok=f1HnZ9kK)
Hey Hey Glossolalia explored using voice in contemporary art with projects that combined sound, image, performance, and writing to investigate issues such as the peripheries of speech, relationship between speaker and audience, and how the artist can
Read More![Two busts are posed to look as if they are kissing.](/sites/default/files/styles/project_database_thumbnail/public/projects/Democracy%20in%20America%20-%20Olivia%20Cintron.jpg?itok=bZ2uiVXA)
After traveling across the country to glean perspectives from artists and activists on the state of democracy, Democracy in America: The National Campaign was a project that culminated in the Convergence Center where the artists exhibited their work
Read More![Stained glass windows under a tunnel](/system/files/styles/project_database_thumbnail/private/2021-08/The%20River%20that%20Flows%20Both%20Ways%20-%20Olivia%20Cintron.jpg?itok=0_DLyjDs)
This Spencer Finch installation, The River That Flows Both Ways, was the inaugural art commission on the High Line. This poetic window installation was inspired by the Hudson River, and documented a 700-minute journey Finch took on the river, during which
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